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An international perspective |
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This section brings to you news and views from around the world on issues related to documenting, recording, digitizing and disseminating intangible Cultural Heritage. Apart from guidelines and best practices adopted by various important institutions, there are some articles which present the opinions and views of individuals dealing with copyrights and ethical issues in their work which are presented as case studies. |
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An Interview with Pat Aufderheide and Peter Jaszi (Part One) Posted by Henri Jenkins, on February 6, 2008 Pat Aufderheide and Peter Jaszi have issued several major new studies on the impact of copyright confusion on our culture, work which is setting the stage for efforts to identify "best practices" and to negotiate "acceptable use" standards to broaden the protections afforded those of us who are tying to integrate media production activities into our classrooms or who are involved in mashing up content as a form of expressive practice. This is an interview which brings to us their viewpoints on the issue. |
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Towards Intellectual Property Guidelines and Best Practices for Recording and Digitizing Intangible Cultural Heritage |
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A Survey of Codes, Conduct and Challenges in North America, by Martin Skrydstrup. Prepared for the World Intellectual Property Organisation (WIPO) Read More ... |
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Intellectual Property and Audiovisual Archives and Collections |
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Folk Heritage Collections in Crisis Anthony Seeger The American Folklife Center The Library of Congress,2000. This article advocates that 'archives take proactive stances regarding intellectual property--but especially in the area of training, reviewing their own contracts and other archive forms, and carefully evaluating proposals for use of materials they hold in trust for communities, scholars, and collectors.' |
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International Association of Sound and Audio Visual Archives: Policy guidelines on copyright and other intellectual property rights |
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This document which sets out IASA policy, and provides a good guide to the audio visual archivists on professional conduct in the area of intellectual property legislation. Readers can see IASA key principles and guidelines on copyright as well as policies on aquisitions, collection management and access. Read more ... |
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Irish Traditional Music and the Copyright Debate. |
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Anthony McCann Irish Folk Festival (Petr Pandula, ed.) September 2003. McCann's article documents a performing rights dispute in the 1990's between the Irish Music Rights Organisation (IMRO) and the Vintners Federation of Ireland (VFI). In this case Irish folk bands were being prevented from playing 'traditional' music in pubs unless publicans had payed the IMRO royalties. McCann analyses the case and gives us interesting insights into the changing landscape for traditional musicians and their thoughts on the impact of copyright on traditional practices.
'Are we systematically forgetting, ignoring, or wilfully turning away from powerful and humanizing politics, and replacing them with the ready-made traditions such as those of intellectual property, copyright, and performing rights. And do we do this in deference to the law because we are often led to believe, by way of persusasion, coercion, and maybe a little self-interest, that we should?' http://www.beyondthecommons.com/iff2003.html |
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Access and Control of Indigenous Knowledge in Libraries and Archives: |
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Ownership and Future Use Presented By Jane Anderson at the seminar 'Correcting Course: Rebalancing Copyright for Libraries in the National and International Arena' Columbia University, New York, May 2005. Fundamental questions about access and control, ownership and authorship test rationalities of library and archival management. In Australia, like in other places around the world, Indigenous people are seeking greater access to and, in certain cases, control over cultural material. This not only challenges rationalities of library and archival management but legal conceptions of authorship and ownership including, importantly, conceptions of ‘public’.
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Aboriginal and Torres Strait Islander Commission In 1997, ATSIC released the discussion paper Our Culture: Our Future: Proposals for the Protection and Recognition of Indigenous Cultural and Intellectual Property, and invited public comment on the need for protecting and recognising Indigenous Cultural and Intellectual Property Rights. The report extracted here was developed in the light of over 70 submissions received on this discussion paper, and also in consultation with a National Indigenous Reference Group and other relevant individuals, communities and organisations. It was written and researched by Terri Janke, a solicitor at Michael Frankel and Company Solicitors as part of a National Indigenous Cultural and Intellectual Property Project coordinated by the Australian Institute of Aboriginal and Torres Strait Islander Studies and funded by the Aboriginal and Torres Strait Islander Commission. Read More ... |
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Copyrights and Copywrongs. The EC acts... |
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by Murray Dick This small article was found on Murray Dick's blog and documents the European Commission decision to extend the life of copyright for sound recordings from 50 years to 90. Read more ... |
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Whose Work Is It, Anyway? |
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By Scott Carlson The Chronicle of Higher Education From the issue dated July 29, 2005
This article illustrates the difficulties of the use of 'orphan works' of art and literature, whose creators cannot be identified, and how this has put scholars and artists at odds over changes in copyright law. Carlson also explores the differing views and models for how orphan works should now be used and protected.
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Permissions on Digital Media Drive Scholars to Lawbooks |
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By TOM ZELLER Jr. NY Times. Monday, June 14, 2004
Many scholars, librarians and legal experts see rich promise for the use of multimedia materials in research and education. But the possibility of litigation over file-sharing and confusion over digital copyright protections have scholars feeling threatened about venturing beyond the more familiar world of printed texts. Read More... |
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